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DTSTART;TZID=America/Los_Angeles:20160504T153000
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UID:2773-1462375800-1462381200@slavic.ucla.edu
SUMMARY:The Shaman and the Greengrocer: Revisiting Václav Havel’s “The Power of the Powerless”
DESCRIPTION:Václav Havel’s idea of “living in truth” has become a catchphrase in discussions of East Central European dissent during the Cold War. Behind this seemingly straightforward idea\, however\, were many competing ideas about what the truth is\, how we can know it\, and how we might “live in” it. Havel’s own accounts of “living in truth” can be read against parallel works by members of the music underground\, including the eccentric philosopher\, poet\, and novelist Egon Bondy\, whose 1976 science-fiction novel The Shaman offers a more mystical account of truth and transcendence. Is the search for truth a civic activity\, or a private and mystical discipline? And how might different ideas of truth inflect a dissident’s political behavior? Jonathan Bolton’s talk will re-examine Havel’s landmark essay “The Power of the Powerless” in an attempt to place “living in truth” in its contemporary context and to ask why it might still be relevant today. \nAbout the speaker:  \nJonathan Bolton is Professor of Slavic Languages and Literatures at Harvard University\, and is currently a Visiting Distinguished Fellow at the Gould Center for Humanistic Studies at Claremont McKenna College. His book Worlds of Dissent: Charter 77\, The Plastic People of the Universe\, and Czech Culture under Communism (Harvard University Press\, 2012) offers a new approach to East European dissent during the 1970s and 1980s\, seeking to refine romanticized and idealistic cold-war images of dissidents to consider the complex realities\, myriad daily practices\, and ironic attitudes that shaped political opposition to Communism. Bolton pays particular attention to dissidents’ own writings – diaries\, letters\, and essays – to understand why many intellectuals rejected the label “dissident” and sought a more textured and complicated account of their own activities. Worlds of Dissent won numerous prizes and was named a Foreign Affairs best book on Eastern Europe and the Former Soviet Republics for 2012. Bolton also translates Czech fiction and poetry\, and is the editor and translator of In the Puppet Gardens: Selected Poems\, 1963-2005 (Michigan Slavic Publications\, 2012)\, a collection of work by contemporary poet Ivan Wernisch.
URL:https://slavic.ucla.edu/event/shaman-greengrocer-revisiting-vaclav-havels-power-powerless/
LOCATION:Humanities Bldg\, Room 365
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DTSTART;TZID=America/Los_Angeles:20160511T153000
DTEND;TZID=America/Los_Angeles:20160511T170000
DTSTAMP:20160429T150246Z
CREATED:20160429T150225Z
LAST-MODIFIED:20160429T150246Z
UID:2780-1462980600-1462986000@slavic.ucla.edu
SUMMARY:Mandelstam's Venice and Some Forgotten Paintings
DESCRIPTION:“Venetian Life” (1920) is one of Osip Mandelstam’s most complex and semantically rich poems\, and many a study has been devoted to deciphering this text. Even at the most rudimentary level\, however\, this project is far from complete. The principal genre-determining subtext of the poem has gone unnoticed\, as have other intertextual connections. An examination of newly discovered pictorial subtexts demonstrates the decisive part played by ecphrasis in the poem and enables one to adopt the author’s genre positioning of “Venetian Life” as a poetic vanitas\, one that is not only formally constructed according to the same principle as various vanitates in painting\, but also lays claim to the totality of the genre’s traditional meanings. \n  \nProfessor Alexander Kulik’s research concentrates on the cross-cultural transmission of texts and ideas. His scholarly interests encompass Slavic and Jewish studies. He received his Ph.D. from the Hebrew University of Jerusalem and conducted post-doctoral research at Harvard University. Kulik has authored three books: Retroverting Slavonic Pseudepigrapha (two editions: Society of Biblical Literature: Atlanta GA\, 2004 and Leiden-Boston: Brill\, 2005)\, 3 Baruch: Greek-Slavonic Apocalypse of Baruch (Berlin-New York: Walter de Gruyter\, 2009)\, Biblical Pseudepigrapha in Slavonic Tradition (Oxford: Oxford University Press\, 2015; with S. Minov); and edited the collected volume History of the Jews in Russia: From Antiquity to Early Modern Period (Jerusalem-Moscow: Shazar/Gesharim\, 2010). Kulik has founded and headed the Brill book series “Studia Judaeoslavica.” Presently he servers as Associate Professor and Chair of the Program of Russian and East European Studies at the Hebrew University of Jerusalem. Alexander Kulik has held visiting positions at Moscow State University\, University College London\, Stanford\, Oxford\, Freie Universität Berlin\, and Università Ca’ Foscari Venezia.
URL:https://slavic.ucla.edu/event/mandelstams-venice-forgotten-paintings/
LOCATION:Humanities Bldg\, Room 311
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DTSTART;TZID=America/Los_Angeles:20160523T180000
DTEND;TZID=America/Los_Angeles:20160523T200000
DTSTAMP:20160511T220916Z
CREATED:20160511T220128Z
LAST-MODIFIED:20160511T220916Z
UID:2793-1464026400-1464033600@slavic.ucla.edu
SUMMARY:Refusenik
DESCRIPTION:Film Synopsis: \nREFUSENIK is the first retrospective documentary to chronicle the thirty-year movement to free Soviet Jews. It shows how a small grassroots effort bold enough to take on a Cold War superpower blossomed into an international human rights campaign that engaged the disempowered and world leaders alike. Told through the eyes of activists on both sides of the Iron Curtain – many of whom survived punishment in Soviet Gulag labor camps – the film is a tapestry of first-person accounts of heroism\, sacrifice\, and ultimately\, liberation. \nREFUSENIK illustrates how individuals can utilize the power inherent in a tolerant democracy and literally change the world. The tactics and methods developed by activists in this struggle became examples to the rest of the world\, forever changing the human rights landscape. \nRuntime: 120 min. Release year: 2008. Language: English. \n*Film shown in conjunction with Russian 191: Russian Jews of Los Angeles on Display \nCo-sponsored by the UCLA Alan D. Leve Center for Jewish Studies
URL:https://slavic.ucla.edu/event/refusenik-solidarity-struggle-liberation/
LOCATION:Haines Hall A44\, A44
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